I created a poster and sent it off to the school to be placed on the bulletin board! With his film industry knowledge and experience, he knows what student film crews need and that they’re willing to hire other students who want experience in the industry. I am fortunate that my husband, Claudio, graduated from film school and has contacts there. How are you networking with film students? I’m going to expand my prosthetic-making skills to include masks to save application time. I took on makeup artist, costuming, set design and SFX so I can be creative. I co-own a film production company, we have a very small crew that usually takes on multiple roles. What you are building up to with your practice? A small toothpick is great for wrinkles and natural surface lines. An old toothbrush used in a stipple movement is great for adding pores to skin. When your sculpt is finished, don’t forget about skin texture to add realism. Place them where you need them to make it look the way you want.ġ1. I recommend buying a set of realistic false teeth. Sculpting teeth in a mouth prosthetic or half mask can be difficult and time-consuming. Keep your work mobile if limited workspace or children are a factor.ġ0. If you are smoothing out the clay, the corner tip of your fingers is a great tool.ĩ. Having long nails can interfere with the sculpt. Using your fingers for smoothing and judging the thickness of clay is important. You can use tools of various sizes and shapes, but nothing beats the ten that you are born with. Too many layers can lose detail – it all depends on how thick you applied each layer.Ĩ. For bald caps 6-8 layers was plenty strong, but for smaller items 3 layers is good. The latex I’ve started out with is Ben Nye Liquid Latex and is strong. This makes peeling the edges off the sculpting surface and removing the clay from inside the latex easier.ħ. After sculpting your pieces, put a thin layer over the whole thing and a little around the edge of the base then cover with latex. It is reusable, flexible and never dries out.Ħ. Modelling clay is soft and great for small to medium projects like wounds, burns, noses, brows, chins. Earthenware, stoneware, WED 217 clay is also great for sculpting but must be kept moist while working and the leftovers stored in an air-tight container. Plasticine is firm but can be microwaved for a few seconds for malleability. Prop them up so you can view your work from different angles – what may look great at one angle may look odd from another.ĥ. Change your perspective! Turntables are invaluable, especially if you are making facial pieces. It’s a generic fit for most actors and models.Ĥ. Half head/ full head mannequins from eBay are great for designing your prosthetic and where they will sit. You can sculpt right onto them and they are very light so you can move them.ģ. Smoothsurfaces like clipboards, chopping boards, and plastic plates are great sculpting surfaces for sculpting multiple small pieces. A hair dryer is great for speed drying between layers of latex, but remember to keep it on low heat so you don’t melt the clay or the latex.Ģ. In no order of importance, this is what I have learned so far:ġ. Modelling clay, plasticine, air dry clay or earthenware Clip board, metal palette or any lightweight, square edged, non textured surface.Here’s a list of the most important items I use to make them: I needed them for my SFX assignments and they are so quick to make! They are also highly requested in film and TV. I started out with simple things like wounds as they are the smallest, easiest and best place to start. Based in Australia, Lucy is teaching herself to create her own prosthetics for her special effects designs and networks with film students to gain hands-on experience.įollow up her last post with more details on how she makes her own prosthetics for her film production company! What kind of prosthetics you make and materials you use? QC Makeup Academy student, Lucy Benedetti, started her journey into special effects makeup with the SFX course.
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